Lauren (words): I wrote this lyric the first summer we lived in Tennessee, after we have been once through all the seasons. We had moved from Colorado at the end of the previous May with our then 2-year-old, and wild blackberries, which didn’t grow in the part of Colorado where we had lived, were a revelation to us. (So were chiggers, but that’s another story entirely!) Every bit of this song is true: Blackberry picking with our kid and our old black dog became a part of our summers, and blackberry jam became a part of our winters.
Andy (music): When Lauren first showed me this lyric, she asked if I could work in a break using a bit of the old fiddle tune, Blackberry Blossom when I scored it. I worked with it a bit and realized that the structure of her lyric fit Blackberry Blossom perfectly – it just needed a “b part.” Lauren re-worked one of her verses into a b part/chorus and I based the entire melody on Blackberry Blossom – including working in the break that Lauren has asked for.
…Top notch instrumentation …by Andy as well as a cast including some of Nashville’s first call musicians…. My favorite of all the tracks had to be the title cut, “Endless Possibilities.” …The song is as smooth as a gentle summer breeze. —Rex Flottman, Walnut Valley Festival (Winfield) program, on Endless Possibilities by Andy May
Curtis McPeake‘s name is spoken with something very much like reverence in the nationwide banjo community. …He is …an expert picker, as this fine instrumental album makes plain…. He is joined on this record by guitarist Charlie Cushman, fiddler Aubrey Haynie, mandolinist Dave Harvey and bassist Dennis Crouch, all together they play a winning assortment traditional and original banjo showcase tunes.
McPeake’s original compositions are some of the best things on this album-the aptly titled “Fire In The Furnace” and “Leap Frog” are both classic pieces of 1950s-style instrumental bluegrass, while “Long Way Home” is a slightly more complex and slightly less zippy composition.